Two artists try to create a theater play, but between rewrites and doubt, they’re also confronted by the overwhelming weight of the world outside their rehearsal space - grappling with the absurdity and grief of living in a time shaped by war, rising extremism, gender-based violence, climate collapse, technological addiction, and a growing lack of empathy.

Through a fusion of artistic forms, the play moves between the deeply personal and the overwhelmingly political - asking what it means to make art in a world that feels like it’s on fire, and whether it’s still possible to find beauty, laughter, and meaning in the middle of it all.

Written and Directed by Gabriela Neves, Amelia Miroszczuk and Nikita Kasatkin

In pool (no water), playwright Mark Ravenhill takes an uncompromising and in-depth look at how close love and destruction lie when we compromise our own ethics for a sniff at fame and success.

Through themes of jealousy, friendship, ambition and greed, Ravenhill delves into the darker side of human nature with razor sharp humour.

The play follows a group of young artists grappling as they develop an art project with sinister connotations. Following a tragic accident the collective oscillates between chasing success and confronting their own guilty conscience.

At the end of the day, who amongst them really deserves the spotlight?

Directed by Alice Kornitzer
Movement Direction by Alejandro Notas
Text and Voice Work by Carina Zox

Trapped in a space built from their own fears and failures, four artists face the possibility of escape. But how do you leave a place you created yourself—and are you truly ready to?

Told through movement, sound, and emotion, this piece dives into the fear of failure and the pull between familiar stagnation and uncertain change.

Cours Florent's
3rd semester international presents

Delicately selected and freshly seasoned cuts from
MACBETH
by William Shakespeare
featuring texts by Gabriela Neves.

This short film reimagines Henrik Ibsen’s A Doll’s House using Bertolt Brecht’s alienation technique. Nora’s final confrontation is interrupted by direct commentary to prevent emotional immersion and encourage critical reflection.

Created as part of an acting methods exam exploring political theatre, performance as critique, and the role of women in classic narratives.

Alienation effect achieved?
Or did you still root for her to stay?

An extravagant, grotesque family meets for a casual Sunday dinner.

A grieving soul navigates love and loss through music, where her memories come alive. As the song weaves the past and present, Emily confronts her sorrow, longing, and acceptance.